{"id":3414,"date":"2024-11-03T07:35:17","date_gmt":"2024-11-03T07:35:17","guid":{"rendered":"https:\/\/theairlab.com\/jwbst25\/?page_id=3414"},"modified":"2025-06-12T08:28:22","modified_gmt":"2025-06-12T07:28:22","slug":"mixing-and-mastering-engineer","status":"publish","type":"page","link":"https:\/\/theairlab.com\/fr\/lingenieur-de-mixage-et-de-mastering\/","title":{"rendered":"Biographie de l'ing\u00e9nieur en mixage et mastering Jerome Schmitt"},"content":{"rendered":"\t\t
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JEROME SCHMITT<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ing\u00e9nieur de Mixage et de Mastering<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tMe Contacter<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\nPour contacter Jerome : \njerome@theairlab.com<\/a>\n(Photo : Avec l’aimable autorisation de \u00ab\u00a0The Pierce Rooms Mastering<\/a> – Hammersmith – Londres\u00a0\u00bb – 2016)\n<\/small>\n
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\nJerome Schmitt travaille dans le mastering depuis 25 ans, avec une solide exp\u00e9rience en production musicale et en tant qu\u2019ing\u00e9nieur du son.\n<\/p>\n

\nAu cours de cette p\u00e9riode, il a collabor\u00e9 avec d\u2019autres grands ing\u00e9nieurs de mastering londoniens comme Bunt Stafford-Clarck (Townhouse<\/strong>) au \u00ab\u00a0The Pierce Room\u00a0\u00bb, John Webber (Air Studio<\/strong>) chez \u00ab\u00a0Blue Pro Mastering\u00a0\u00bb et John Voda chez \u201c10th Planet\u201d, o\u00f9 il a travaill\u00e9 sur une grande partie du catalogue Ninja Tune<\/strong> et Big Dada<\/strong>, incluant le premier album du producteur Diplo<\/strong> \u00ab\u00a0Florida\u00a0\u00bb, Amon Tobin<\/strong> \u00ab\u00a0Solid Steel\u00a0\u00bb, Luke Vibert<\/strong> \u00ab\u00a0Sorry I made you Lush\u00a0\u00bb, Hexstatic<\/strong>, et Cinematic Orchestra<\/strong>, pour n\u2019en nommer que quelques-uns.\n<\/p>\n\nJerome s’est \u00e9galement impos\u00e9 comme mixeur de doublage et designer sonore pour la t\u00e9l\u00e9vision (BT Sport\/Amazon) chez \u00ab\u00a0BT Studios\u00a0\u00bb \u00e0 Londres, et pour des projets vid\u00e9o pour Sony Music, Virgin, Orange, ainsi que diverses bandes-annonces de films. Sa production musicale offre un m\u00e9lange unique de trip-hop, d’\u00e9lectronica et de nu-jazz post-\u00e9lectronique, et a \u00e9t\u00e9 publi\u00e9e par Just Isn’t Music<\/strong> (Ninja Tune).\n<\/span>\n
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\n\nJerome a d\u00e9but\u00e9 sa carri\u00e8re dans l\u2019industrie musicale comme guitariste principal et producteur du groupe de rock Corpus Delicti<\/strong> en 1993. Apr\u00e8s avoir produit les trois albums du groupe et tourn\u00e9 dans le monde entier, Jerome s\u2019est concentr\u00e9 sur ses d\u00e9buts en studio en tant qu\u2019ing\u00e9nieur de mixage et de mastering dans le sud de la France, en 1997.\n<\/span>\n
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\nCr\u00e9dits s\u00e9lectionn\u00e9s :<\/strong> Diplo, Jake Miller, Biz Markie, Three 6 Mafia, T.I., Kool G Rap, Busta Rhymes, Daddy Kane, Space, Alt-J, Matthew Robertson, John Foxx & Robin Guthrie, Mr. Scruff, Ty, Pitman, Coldcut, Kid Koala, Cinematic Orchestra, Loka, Skalpel, Amon Tobin, Jagga Jazzist, Hexstatic, Luke Vibert (Wagon Christ), Bigg Jus, Infinite Livez, TTC, Spank Rocks, NMS, DefTex, Bad Manners, Roots Manuva, Warren Suicide, A1 People, Metamatics, Plumbline, Spork, The Rocks, Bromide, Naba Napalm, Pop Levi, La Methode, Speech Debelle, The Qemists, The Death Set, Thunderheist, The Loose Cannons, Xrabit + DMG$, Vlsonn…<\/em>\n<\/p>\n

\nLabels :<\/strong> Extreme Music, Sony, Big Dada, Ninja Tunes, Son Records, More Protein Records, Jungle Records, Scratchy Records + compilations pour Mojo, Qmag, DJ Mag et Kerrang.<\/em>\n<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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JEROME SCHMITT Mixing and Mastering Engineer Contact Me To contact Jerome:\u00a0jerome@theairlab.com (Photo: Courtesy of \u00ab\u00a0The Pierce Rooms Mastering\u00a0– Hammersmith – […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3414","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/pages\/3414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/comments?post=3414"}],"version-history":[{"count":1,"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/pages\/3414\/revisions"}],"predecessor-version":[{"id":6663,"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/pages\/3414\/revisions\/6663"}],"wp:attachment":[{"href":"https:\/\/theairlab.com\/fr\/wp-json\/wp\/v2\/media?parent=3414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}